ONLINE EXHIBITION 

The Online Exhibition reflects the Screen City Biennial’s aim to be accessible beyond the geographic locality of Stavanger and further exhibition practices with the expanded moving image in online, mobile and hybrid presentation formats. The Online Exhibition presents Oliver Ressler’s body of work Everything's Coming Together While Everything's Falling Apart, an ongoing project that follows the activists’ struggles against a fossil fuel-dependent economy.

ONLINE EXHIBITION

The Online Exhibition reflects the Screen City Biennial’s aim to be accessible beyond the geographic locality of Stavanger and further exhibition practices with the expanded moving image in online, mobile and hybrid presentation formats. The Online Exhibition presents Oliver Ressler’s body of work Everything's Coming Together While Everything's Falling Apart, an ongoing project that follows the activists’ struggles against a fossil fuel-dependent economy.

ONLINE EXHIBITION

The Online Exhibition reflects the Screen City Biennial’s aim to be accessible beyond the geographic locality of Stavanger and further exhibition practices with the expanded moving image in online, mobile and hybrid presentation formats. The Online Exhibition presents Oliver Ressler’s body of work Everything's Coming Together While Everything's Falling Apart, an ongoing project that follows the activists’ struggles against a fossil fuel-dependent economy.

ONLINE EXHIBITION

The Online Exhibition reflects the Screen City Biennial’s aim to be accessible beyond the geographic locality of Stavanger and further exhibition practices with the expanded moving image in online, mobile and hybrid presentation formats. The Online Exhibition presents Oliver Ressler’s body of work Everything's Coming Together While Everything's Falling Apart, an ongoing project that follows the activists’ struggles against a fossil fuel-dependent economy.

ONLINE EXHIBITION

The Online Exhibition reflects the Screen City Biennial’s aim to be accessible beyond the geographic locality of Stavanger and further exhibition practices with the expanded moving image in online, mobile and hybrid presentation formats. The Online Exhibition presents Oliver Ressler’s body of work Everything's Coming Together While Everything's Falling Apart, an ongoing project that follows the activists’ struggles against a fossil fuel-dependent economy.

MS SANDNES
Vågen, 4001 Stavanger
58°58'20.4"N 5°43'40.8"E

The MS Sandnes boat served as a night ferry along the historical Night Route between Sandnes/Stavanger and Bergen between 1950 and 1974; a ship route established at a time when the only connection to and from the county went by sea. Now mostly located in Vågen, the Stavanger harbor, the pride of the ship still shows in the ship’s decorations with mirrors and panels, lighting fixtures, decor, paintings, art and general decorations including the 1st class ladies cabin and the gentleman's smoking lounge. The largest veteran ship in Norway, MS Sandnes has been declared worthy of preservation by the Norwegian Directorate for Cultural Heritage. The ship marks the anchor point for the Biennial and operates as its main venue and starting point for experiencing the artworks along the harbor. Here you can meet the team, have a coffee and find the artworks by Momoko Seto, Richard Alexandersson, Mai Hofstad Gunnes and Sissel M. Bergh. You can also collect a map of all the installations, download the Son.Ar app and start the augmented reality walks by Tuomas A. Laitinen and the performative video walk by Saara Ekström.

MS SANDNES

Vågen, 4001 Stavanger
58°58'20.4"N 5°43'40.8"E

The MS Sandnes boat served as a night ferry along the historical Night Route between Sandnes/Stavanger and Bergen between 1950 and 1974; a ship route established at a time when the only connection to and from the county went by sea. Now mostly located in Vågen, the Stavanger harbor, the pride of the ship still shows in the ship’s decorations with mirrors and panels, lighting fixtures, decor, paintings, art and general decorations including the 1st class ladies cabin and the gentleman's smoking lounge. The largest veteran ship in Norway, MS Sandnes has been declared worthy of preservation by the Norwegian Directorate for Cultural Heritage. The ship marks the anchor point for the Biennial and operates as its main venue and starting point for experiencing the artworks along the harbor. Here you can meet the team, have a coffee and find the artworks by Momoko Seto, Richard Alexandersson, Mai Hofstad Gunnes and Sissel M. Bergh. You can also collect a map of all the installations, download the Son.Ar app and start the augmented reality walks by Tuomas A. Laitinen and the performative video walk by Saara Ekström.

MS SANDNES

Vågen, 4001 Stavanger
58°58'20.4"N 5°43'40.8"E

The MS Sandnes boat served as a night ferry along the historical Night Route between Sandnes/Stavanger and Bergen between 1950 and 1974; a ship route established at a time when the only connection to and from the county went by sea. Now mostly located in Vågen, the Stavanger harbor, the pride of the ship still shows in the ship’s decorations with mirrors and panels, lighting fixtures, decor, paintings, art and general decorations including the 1st class ladies cabin and the gentleman's smoking lounge. The largest veteran ship in Norway, MS Sandnes has been declared worthy of preservation by the Norwegian Directorate for Cultural Heritage. The ship marks the anchor point for the Biennial and operates as its main venue and starting point for experiencing the artworks along the harbor. Here you can meet the team, have a coffee and find the artworks by Momoko Seto, Richard Alexandersson, Mai Hofstad Gunnes and Sissel M. Bergh. You can also collect a map of all the installations, download the Son.Ar app and start the augmented reality walks by Tuomas A. Laitinen and the performative video walk by Saara Ekström.

MS SANDNES

Vågen, 4001 Stavanger
58°58'20.4"N 5°43'40.8"E

The MS Sandnes boat served as a night ferry along the historical Night Route between Sandnes/Stavanger and Bergen between 1950 and 1974; a ship route established at a time when the only connection to and from the county went by sea. Now mostly located in Vågen, the Stavanger harbor, the pride of the ship still shows in the ship’s decorations with mirrors and panels, lighting fixtures, decor, paintings, art and general decorations including the 1st class ladies cabin and the gentleman's smoking lounge. The largest veteran ship in Norway, MS Sandnes has been declared worthy of preservation by the Norwegian Directorate for Cultural Heritage. The ship marks the anchor point for the Biennial and operates as its main venue and starting point for experiencing the artworks along the harbor. Here you can meet the team, have a coffee and find the artworks by Momoko Seto, Richard Alexandersson, Mai Hofstad Gunnes and Sissel M. Bergh. You can also collect a map of all the installations, download the Son.Ar app and start the augmented reality walks by Tuomas A. Laitinen and the performative video walk by Saara Ekström.

MS SANDNES

Vågen, 4001 Stavanger
58°58'20.4"N 5°43'40.8"E

The MS Sandnes boat served as a night ferry along the historical Night Route between Sandnes/Stavanger and Bergen between 1950 and 1974; a ship route established at a time when the only connection to and from the county went by sea. Now mostly located in Vågen, the Stavanger harbor, the pride of the ship still shows in the ship’s decorations with mirrors and panels, lighting fixtures, decor, paintings, art and general decorations including the 1st class ladies cabin and the gentleman's smoking lounge. The largest veteran ship in Norway, MS Sandnes has been declared worthy of preservation by the Norwegian Directorate for Cultural Heritage. The ship marks the anchor point for the Biennial and operates as its main venue and starting point for experiencing the artworks along the harbor. Here you can meet the team, have a coffee and find the artworks by Momoko Seto, Richard Alexandersson, Mai Hofstad Gunnes and Sissel M. Bergh. You can also collect a map of all the installations, download the Son.Ar app and start the augmented reality walks by Tuomas A. Laitinen and the performative video walk by Saara Ekström.

TORGET (STAVANGER CITY SQUARE)
Kongsgårdbakken 1, 4005 Stavanger, Norway
58°58'12.5"N 5°43'52.4"E

Throughout Stavanger's history, the main square has served as a market place and important gathering space. Located in the city center in Vågen, the square is a sloping space that falls from the Cathedral and Kongsgård to the stairs leading to the sea and the Vågen harbor. At the bottom of the square stands the Maritime Monument by Arnold Haukeland, a tribute to seafarers, colloquially referred to as ‘the Shrimp’ by the inhabitants of Stavanger. The square also hosts a statue of Alexander Lange Kielland, one of the most famous Norwegian realistic writers of the 19th century, created by Magnus Vigrestad and unveiled in 1928. Alexander L. Kielland was also the name given by the oil industry to a Norwegian semi-submersible drilling rig that capsized while working in the Ekofisk oil field in March 1980, killing 123 people. On the facade of Steen & Strøm Mall in Torget, we can experience the augmented reality work, Tentacle Tongue by Tuomas Aleksander Laitinen.

TORGET (STAVANGER CITY SQUARE)

Kongsgårdbakken 1, 4005 Stavanger
58°58'12.5"N 5°43'52.4"E

Throughout Stavanger's history, the main square has served as a market place and important gathering space. Located in the city center in Vågen, the square is a sloping space that falls from the Cathedral and Kongsgård to the stairs leading to the sea and the Vågen harbor. At the bottom of the square stands the Maritime Monument by Arnold Haukeland, a tribute to seafarers, colloquially referred to as ‘the Shrimp’ by the inhabitants of Stavanger. The square also hosts a statue of Alexander Lange Kielland, one of the most famous Norwegian realistic writers of the 19th century, created by Magnus Vigrestad and unveiled in 1928. Alexander L. Kielland was also the name given by the oil industry to a Norwegian semi-submersible drilling rig that capsized while working in the Ekofisk oil field in March 1980, killing 123 people. On the facade of Steen & Strøm Mall in Torget, we can experience the augmented reality work, Tentacle Tongue by Tuomas Aleksander Laitinen.

TORGET (STAVANGER CITY SQUARE)

Kongsgårdbakken 1, 4005 Stavanger
58°58'12.5"N 5°43'52.4"E

Throughout Stavanger's history, the main square has served as a market place and important gathering space. Located in the city center in Vågen, the square is a sloping space that falls from the Cathedral and Kongsgård to the stairs leading to the sea and the Vågen harbor. At the bottom of the square stands the Maritime Monument by Arnold Haukeland, a tribute to seafarers, colloquially referred to as ‘the Shrimp’ by the inhabitants of Stavanger. The square also hosts a statue of Alexander Lange Kielland, one of the most famous Norwegian realistic writers of the 19th century, created by Magnus Vigrestad and unveiled in 1928. Alexander L. Kielland was also the name given by the oil industry to a Norwegian semi-submersible drilling rig that capsized while working in the Ekofisk oil field in March 1980, killing 123 people. On the facade of Steen & Strøm Mall in Torget, we can experience the augmented reality work, Tentacle Tongue by Tuomas Aleksander Laitinen.

TORGET (STAVANGER CITY SQUARE)

Kongsgårdbakken 1, 4005 Stavanger
58°58'12.5"N 5°43'52.4"E

Throughout Stavanger's history, the main square has served as a market place and important gathering space. Located in the city center in Vågen, the square is a sloping space that falls from the Cathedral and Kongsgård to the stairs leading to the sea and the Vågen harbor. At the bottom of the square stands the Maritime Monument by Arnold Haukeland, a tribute to seafarers, colloquially referred to as ‘the Shrimp’ by the inhabitants of Stavanger. The square also hosts a statue of Alexander Lange Kielland, one of the most famous Norwegian realistic writers of the 19th century, created by Magnus Vigrestad and unveiled in 1928. Alexander L. Kielland was also the name given by the oil industry to a Norwegian semi-submersible drilling rig that capsized while working in the Ekofisk oil field in March 1980, killing 123 people. On the facade of Steen & Strøm Mall in Torget, we can experience the augmented reality work, Tentacle Tongue by Tuomas Aleksander Laitinen.

TORGET (STAVANGER CITY SQUARE)

Kongsgårdbakken 1, 4005 Stavanger
58°58'12.5"N 5°43'52.4"E

Throughout Stavanger's history, the main square has served as a market place and important gathering space. Located in the city center in Vågen, the square is a sloping space that falls from the Cathedral and Kongsgård to the stairs leading to the sea and the Vågen harbor. At the bottom of the square stands the Maritime Monument by Arnold Haukeland, a tribute to seafarers, colloquially referred to as ‘the Shrimp’ by the inhabitants of Stavanger. The square also hosts a statue of Alexander Lange Kielland, one of the most famous Norwegian realistic writers of the 19th century, created by Magnus Vigrestad and unveiled in 1928. Alexander L. Kielland was also the name given by the oil industry to a Norwegian semi-submersible drilling rig that capsized while working in the Ekofisk oil field in March 1980, killing 123 people. On the facade of Steen & Strøm Mall in Torget, we can experience the augmented reality work, Tentacle Tongue by Tuomas Aleksander Laitinen.

FISKEPIREN, FERRY TERMINAL
Verksgata 14, 4004 Stavanger, Norway
58°58'22.2"N 5°44'23.5"E

Fiskepiren, literally the ‘fish pier’, is a quay area located on Versgata street in Stavanger. In the 1890s, the municipality of Stavanger bought the former shipyard area of Peder Valentin Rosenkilde and established quays and a small boat harbor on this location. The yard was established in 1840, and by 1875, 14 ships had been built. The old building was demolished in 1913 when a new, larger fishing pier was to be built. From here, the catch was transported to the small canning factories inland. During World War II, the fishing pier was used as a seaplane port by the Germans, and the area was blocked and strictly guarded. The harbor was in use until 1971, when the outer pier was built. In 2000, passenger ferry traffic to Bergen, Haugesund and Ryfylke was combined with the ferry traffic to Tau and Lysefjorden. The pier was further developed for the new speedboat terminal, also called the Fish Pier Terminal.

The area where Fiskepiren is located has had an important role in the local fish industry, covering a crucial part in the local and international commercial routes of fish. Despite the environmental impact on the local wildlife, aquaculture is still one of the main revenues of the Norwegian market, after oil extraction and hydro-power. We chose this location to call into question human behavior motivated by human exceptionalism which ignores non-human subjectivities. The terminal will host The Bone, a virtual reality experience inside the skull of a wild salmon by artist Michelle-Marie Letelier.

FISKEPIREN, FERRY TERMINAL

Verksgata 14, 4004 Stavanger
58°58'22.2"N 5°44'23.5"E

Fiskepiren, literally the ‘fish pier’, is a quay area located on Versgata street in Stavanger. In the 1890s, the municipality of Stavanger bought the former shipyard area of Peder Valentin Rosenkilde and established quays and a small boat harbor on this location. The yard was established in 1840, and by 1875, 14 ships had been built. The old building was demolished in 1913 when a new, larger fishing pier was to be built. From here, the catch was transported to the small canning factories inland. During World War II, the fishing pier was used as a seaplane port by the Germans, and the area was blocked and strictly guarded. The harbor was in use until 1971, when the outer pier was built. In 2000, passenger ferry traffic to Bergen, Haugesund and Ryfylke was combined with the ferry traffic to Tau and Lysefjorden. The pier was further developed for the new speedboat terminal, also called the Fish Pier Terminal.

The area where Fiskepiren is located has had an important role in the local fish industry, covering a crucial part in the local and international commercial routes of fish. Despite the environmental impact on the local wildlife, aquaculture is still one of the main revenues of the Norwegian market, after oil extraction and hydro-power. We chose this location to call into question human behavior motivated by human exceptionalism which ignores non-human subjectivities. The terminal will host The Bone, a virtual reality experience inside the skull of a wild salmon by artist Michelle-Marie Letelier.

FISKEPIREN, FERRY TERMINAL

Verksgata 14, 4004 Stavanger
58°58'22.2"N 5°44'23.5"E

Fiskepiren, literally the ‘fish pier’, is a quay area located on Versgata street in Stavanger. In the 1890s, the municipality of Stavanger bought the former shipyard area of Peder Valentin Rosenkilde and established quays and a small boat harbor on this location. The yard was established in 1840, and by 1875, 14 ships had been built. The old building was demolished in 1913 when a new, larger fishing pier was to be built. From here, the catch was transported to the small canning factories inland. During World War II, the fishing pier was used as a seaplane port by the Germans, and the area was blocked and strictly guarded. The harbor was in use until 1971, when the outer pier was built. In 2000, passenger ferry traffic to Bergen, Haugesund and Ryfylke was combined with the ferry traffic to Tau and Lysefjorden. The pier was further developed for the new speedboat terminal, also called the Fish Pier Terminal.

The area where Fiskepiren is located has had an important role in the local fish industry, covering a crucial part in the local and international commercial routes of fish. Despite the environmental impact on the local wildlife, aquaculture is still one of the main revenues of the Norwegian market, after oil extraction and hydro-power. We chose this location to call into question human behavior motivated by human exceptionalism which ignores non-human subjectivities. The terminal will host The Bone, a virtual reality experience inside the skull of a wild salmon by artist Michelle-Marie Letelier.

FISKEPIREN, FERRY TERMINAL

Verksgata 14, 4004 Stavanger
58°58'22.2"N 5°44'23.5"E

Fiskepiren, literally the ‘fish pier’, is a quay area located on Versgata street in Stavanger. In the 1890s, the municipality of Stavanger bought the former shipyard area of Peder Valentin Rosenkilde and established quays and a small boat harbor on this location. The yard was established in 1840, and by 1875, 14 ships had been built. The old building was demolished in 1913 when a new, larger fishing pier was to be built. From here, the catch was transported to the small canning factories inland. During World War II, the fishing pier was used as a seaplane port by the Germans, and the area was blocked and strictly guarded. The harbor was in use until 1971, when the outer pier was built. In 2000, passenger ferry traffic to Bergen, Haugesund and Ryfylke was combined with the ferry traffic to Tau and Lysefjorden. The pier was further developed for the new speedboat terminal, also called the Fish Pier Terminal.

The area where Fiskepiren is located has had an important role in the local fish industry, covering a crucial part in the local and international commercial routes of fish. Despite the environmental impact on the local wildlife, aquaculture is still one of the main revenues of the Norwegian market, after oil extraction and hydro-power. We chose this location to call into question human behavior motivated by human exceptionalism which ignores non-human subjectivities. The terminal will host The Bone, a virtual reality experience inside the skull of a wild salmon by artist Michelle-Marie Letelier.

FISKEPIREN, FERRY TERMINAL

Verksgata 14, 4004 Stavanger
58°58'22.2"N 5°44'23.5"E

Fiskepiren, literally the ‘fish pier’, is a quay area located on Versgata street in Stavanger. In the 1890s, the municipality of Stavanger bought the former shipyard area of Peder Valentin Rosenkilde and established quays and a small boat harbor on this location. The yard was established in 1840, and by 1875, 14 ships had been built. The old building was demolished in 1913 when a new, larger fishing pier was to be built. From here, the catch was transported to the small canning factories inland. During World War II, the fishing pier was used as a seaplane port by the Germans, and the area was blocked and strictly guarded. The harbor was in use until 1971, when the outer pier was built. In 2000, passenger ferry traffic to Bergen, Haugesund and Ryfylke was combined with the ferry traffic to Tau and Lysefjorden. The pier was further developed for the new speedboat terminal, also called the Fish Pier Terminal.

The area where Fiskepiren is located has had an important role in the local fish industry, covering a crucial part in the local and international commercial routes of fish. Despite the environmental impact on the local wildlife, aquaculture is still one of the main revenues of the Norwegian market, after oil extraction and hydro-power. We chose this location to call into question human behavior motivated by human exceptionalism which ignores non-human subjectivities. The terminal will host The Bone, a virtual reality experience inside the skull of a wild salmon by artist Michelle-Marie Letelier.

CONCERT HALL
Sandvigå 1, 4007 Stavanger
58°58’30.8″N 5°43’22.0″E

The building rose on a site formerly used as an industrial and ferry terminal dock. The main façade of the Concert Hall is oriented toward the sea, like the old warehouses in the area, allowing for magnificent views of the harbor, islands and the mountain range in the east. The main stage presents live audiovisual performances by Michelle-Marie Letelier and Kalma, and by Marjolijn Dijkman and Toril Johannessen, in close collaboration with the Norwegian composer Nils Henrik Asheim.

CONCERT HALL

Sandvigå 1, 4007 Stavanger
58°58’30.8″N 5°43’22.0″E

The building rose on a site formerly used as an industrial and ferry terminal dock. The main façade of the Concert Hall is oriented toward the sea, like the old warehouses in the area, allowing for magnificent views of the harbor, islands and the mountain range in the east. The main stage presents live audiovisual performances by Michelle-Marie Letelier and Kalma, and by Marjolijn Dijkman and Toril Johannessen, in close collaboration with the Norwegian composer Nils Henrik Asheim.

CONCERT HALL

Sandvigå 1, 4007 Stavanger
58°58’30.8″N 5°43’22.0″E

The building rose on a site formerly used as an industrial and ferry terminal dock. The main façade of the Concert Hall is oriented toward the sea, like the old warehouses in the area, allowing for magnificent views of the harbor, islands and the mountain range in the east. The main stage presents live audiovisual performances by Michelle-Marie Letelier and Kalma, and by Marjolijn Dijkman and Toril Johannessen, in close collaboration with the Norwegian composer Nils Henrik Asheim.

CONCERT HALL

Sandvigå 1, 4007 Stavanger
58°58’30.8″N 5°43’22.0″E

The building rose on a site formerly used as an industrial and ferry terminal dock. The main façade of the Concert Hall is oriented toward the sea, like the old warehouses in the area, allowing for magnificent views of the harbor, islands and the mountain range in the east. The main stage presents live audiovisual performances by Michelle-Marie Letelier and Kalma, and by Marjolijn Dijkman and Toril Johannessen, in close collaboration with the Norwegian composer Nils Henrik Asheim.

CONCERT HALL

Sandvigå 1, 4007 Stavanger
58°58’30.8″N 5°43’22.0″E

The building rose on a site formerly used as an industrial and ferry terminal dock. The main façade of the Concert Hall is oriented toward the sea, like the old warehouses in the area, allowing for magnificent views of the harbor, islands and the mountain range in the east. The main stage presents live audiovisual performances by Michelle-Marie Letelier and Kalma, and by Marjolijn Dijkman and Toril Johannessen, in close collaboration with the Norwegian composer Nils Henrik Asheim.

DOMKIRKEN (STAVANGER CATHEDRAL)
Domkirkeplassen, Stavanger
58°58'11.3"N 5°44'00.3"E

Domkirken is Norway's oldest cathedral and it is located in the city-centre of Stavanger. Bishop Reinald, who may have come from Winchester, is said to have started construction of the cathedral around 1100. It was completed around 1150, although the city of Stavanger counts 1125 as its year of foundation. Stavanger was ravaged by fire in 1272, and the cathedral suffered heavy damage. It was rebuilt under Bishop Arne (1276–1303) at which time the Romanesque cathedral was enlarged in the Gothic style.

The Stavanger Cathedral hosts Deep Point Cloud, a new video sculpture by Emilija Škarnulytė. The Chapel next to the Cathedral hosts Jonathas de Andrade’s work, O Peixe. Through the exhibition of these works at the Stavanger Cathedral we aim to broaden the Western notion of spirituality by bringing into its sacred spaces works that rewrite the notion of ritual and that address the effects of climate breakdown through scientific research.

DOMKIRKEN (STAVANGER CATHEDRAL)

Domkirkeplassen, Stavanger
58°58'11.3"N 5°44'00.3"E

Domkirken is Norway's oldest cathedral and it is located in the city-centre of Stavanger. Bishop Reinald, who may have come from Winchester, is said to have started construction of the cathedral around 1100. It was completed around 1150, although the city of Stavanger counts 1125 as its year of foundation. Stavanger was ravaged by fire in 1272, and the cathedral suffered heavy damage. It was rebuilt under Bishop Arne (1276–1303) at which time the Romanesque cathedral was enlarged in the Gothic style.

The Stavanger Cathedral hosts Deep Point Cloud, a new video sculpture by Emilija Škarnulytė. The Chapel next to the Cathedral hosts Jonathas de Andrade’s work, O Peixe. Through the exhibition of these works at the Stavanger Cathedral we aim to broaden the Western notion of spirituality by bringing into its sacred spaces works that rewrite the notion of ritual and that address the effects of climate breakdown through scientific research.

DOMKIRKEN (STAVANGER CATHEDRAL)

Domkirkeplassen, Stavanger
58°58'11.3"N 5°44'00.3"E

Domkirken is Norway's oldest cathedral and it is located in the city-centre of Stavanger. Bishop Reinald, who may have come from Winchester, is said to have started construction of the cathedral around 1100. It was completed around 1150, although the city of Stavanger counts 1125 as its year of foundation. Stavanger was ravaged by fire in 1272, and the cathedral suffered heavy damage. It was rebuilt under Bishop Arne (1276–1303) at which time the Romanesque cathedral was enlarged in the Gothic style.

The Stavanger Cathedral hosts Deep Point Cloud, a new video sculpture by Emilija Škarnulytė. The Chapel next to the Cathedral hosts Jonathas de Andrade’s work, O Peixe. Through the exhibition of these works at the Stavanger Cathedral we aim to broaden the Western notion of spirituality by bringing into its sacred spaces works that rewrite the notion of ritual and that address the effects of climate breakdown through scientific research.

DOMKIRKEN (STAVANGER CATHEDRAL)

Domkirkeplassen, Stavanger
58°58'11.3"N 5°44'00.3"E

Domkirken is Norway's oldest cathedral and it is located in the city-centre of Stavanger. Bishop Reinald, who may have come from Winchester, is said to have started construction of the cathedral around 1100. It was completed around 1150, although the city of Stavanger counts 1125 as its year of foundation. Stavanger was ravaged by fire in 1272, and the cathedral suffered heavy damage. It was rebuilt under Bishop Arne (1276–1303) at which time the Romanesque cathedral was enlarged in the Gothic style.

The Stavanger Cathedral hosts Deep Point Cloud, a new video sculpture by Emilija Škarnulytė. The Chapel next to the Cathedral hosts Jonathas de Andrade’s work, O Peixe. Through the exhibition of these works at the Stavanger Cathedral we aim to broaden the Western notion of spirituality by bringing into its sacred spaces works that rewrite the notion of ritual and that address the effects of climate breakdown through scientific research.

DOMKIRKEN (STAVANGER CATHEDRAL)

Domkirkeplassen, Stavanger
58°58'11.3"N 5°44'00.3"E

Domkirken is Norway's oldest cathedral and it is located in the city-centre of Stavanger. Bishop Reinald, who may have come from Winchester, is said to have started construction of the cathedral around 1100. It was completed around 1150, although the city of Stavanger counts 1125 as its year of foundation. Stavanger was ravaged by fire in 1272, and the cathedral suffered heavy damage. It was rebuilt under Bishop Arne (1276–1303) at which time the Romanesque cathedral was enlarged in the Gothic style.

The Stavanger Cathedral hosts Deep Point Cloud, a new video sculpture by Emilija Škarnulytė. The Chapel next to the Cathedral hosts Jonathas de Andrade’s work, O Peixe. Through the exhibition of these works at the Stavanger Cathedral we aim to broaden the Western notion of spirituality by bringing into its sacred spaces works that rewrite the notion of ritual and that address the effects of climate breakdown through scientific research.

ODEON / CINEMA
Sølvberggata 2, 4006 Stavanger
58°58’16.4″N 5°44’00.8″E

The local cinema facing the Arnagaren Square is part of the Culture House and it is located at the heart of the city-centre. The cinema presents over 300 films and cinematic experiences each year. Odeon hosts a series of film programs curated by Nathanja van Dijk, Gabriel Bogossian and Vanina Saracino.

ODEON / CINEMA

Sølvberggata 2, 4006 Stavanger
58°58’16.4″N 5°44’00.8″E

The local cinema facing the Arnagaren Square is part of the Culture House and it is located at the heart of the city-centre. The cinema presents over 300 films and cinematic experiences each year. Odeon hosts a series of film programs curated by Nathanja van Dijk, Gabriel Bogossian and Vanina Saracino.

ODEON / CINEMA

Sølvberggata 2, 4006 Stavanger
58°58’16.4″N 5°44’00.8″E

The local cinema facing the Arnagaren Square is part of the Culture House and it is located at the heart of the city-centre. The cinema presents over 300 films and cinematic experiences each year. Odeon hosts a series of film programs curated by Nathanja van Dijk, Gabriel Bogossian and Vanina Saracino.

ODEON / CINEMA

Sølvberggata 2, 4006 Stavanger
58°58’16.4″N 5°44’00.8″E

The local cinema facing the Arnagaren Square is part of the Culture House and it is located at the heart of the city-centre. The cinema presents over 300 films and cinematic experiences each year. Odeon hosts a series of film programs curated by Nathanja van Dijk, Gabriel Bogossian and Vanina Saracino.

ODEON / CINEMA

Sølvberggata 2, 4006 Stavanger
58°58’16.4″N 5°44’00.8″E

The local cinema facing the Arnagaren Square is part of the Culture House and it is located at the heart of the city-centre. The cinema presents over 300 films and cinematic experiences each year. Odeon hosts a series of film programs curated by Nathanja van Dijk, Gabriel Bogossian and Vanina Saracino.

STAVANGER ART MUSEUM
Henrik Ibsens gate 55, 4021 Stavanger
58°58’20.1″N 5°43’40.9″E

The roots of Stavanger Art Museum, or Stavanger Kunstmuseum, extend back to the art society Stavanger Kunstforening housing the Stavanger Faste Galleri since 1865. The museum’s collection includes over 2,600 works including Norway’s largest Lars Hertervig-collection and a steadily increasing number of paintings by Kitty Kielland. The Stavanger Art Museum is located in the green area of Mosvannsparken. In collaboration with the Screen City Biennial, the Stavanger Art Museum hosts an audiovisual performance and sound installation by Band of Weeds. The Stavanger Art Museum is also one of the meeting points to experience Saara Ekström’s performative video walk, Beacon.

STAVANGER ART MUSEUM

Henrik Ibsens gate 55, 4021 Stavanger
58°58’20.1″N 5°43’40.9″E

The roots of Stavanger Art Museum, or Stavanger Kunstmuseum, extend back to the art society Stavanger Kunstforening housing the Stavanger Faste Galleri since 1865. The museum’s collection includes over 2,600 works including Norway’s largest Lars Hertervig-collection and a steadily increasing number of paintings by Kitty Kielland. The Stavanger Art Museum is located in the green area of Mosvannsparken. In collaboration with the Screen City Biennial, the Stavanger Art Museum hosts an audiovisual performance and sound installation by Band of Weeds. The Stavanger Art Museum is also one of the meeting points to experience Saara Ekström’s performative video walk, Beacon.

STAVANGER ART MUSEUM

Henrik Ibsens gate 55, 4021 Stavanger
58°58’20.1″N 5°43’40.9″E

The roots of Stavanger Art Museum, or Stavanger Kunstmuseum, extend back to the art society Stavanger Kunstforening housing the Stavanger Faste Galleri since 1865. The museum’s collection includes over 2,600 works including Norway’s largest Lars Hertervig-collection and a steadily increasing number of paintings by Kitty Kielland. The Stavanger Art Museum is located in the green area of Mosvannsparken. In collaboration with the Screen City Biennial, the Stavanger Art Museum hosts an audiovisual performance and sound installation by Band of Weeds. The Stavanger Art Museum is also one of the meeting points to experience Saara Ekström’s performative video walk, Beacon.

STAVANGER ART MUSEUM

Henrik Ibsens gate 55, 4021 Stavanger
58°58’20.1″N 5°43’40.9″E

The roots of Stavanger Art Museum, or Stavanger Kunstmuseum, extend back to the art society Stavanger Kunstforening housing the Stavanger Faste Galleri since 1865. The museum’s collection includes over 2,600 works including Norway’s largest Lars Hertervig-collection and a steadily increasing number of paintings by Kitty Kielland. The Stavanger Art Museum is located in the green area of Mosvannsparken. In collaboration with the Screen City Biennial, the Stavanger Art Museum hosts an audiovisual performance and sound installation by Band of Weeds. The Stavanger Art Museum is also one of the meeting points to experience Saara Ekström’s performative video walk, Beacon.

STAVANGER ART MUSEUM

Henrik Ibsens gate 55, 4021 Stavanger
58°58’20.1″N 5°43’40.9″E

The roots of Stavanger Art Museum, or Stavanger Kunstmuseum, extend back to the art society Stavanger Kunstforening housing the Stavanger Faste Galleri since 1865. The museum’s collection includes over 2,600 works including Norway’s largest Lars Hertervig-collection and a steadily increasing number of paintings by Kitty Kielland. The Stavanger Art Museum is located in the green area of Mosvannsparken. In collaboration with the Screen City Biennial, the Stavanger Art Museum hosts an audiovisual performance and sound installation by Band of Weeds. The Stavanger Art Museum is also one of the meeting points to experience Saara Ekström’s performative video walk, Beacon.

RØDNE FJORD CRUISE
Skagenkaien 35-37, 4006 Stavanger
58°58'19.1"N 5°43'39.5"E

Rødne is one of Norway’s largest high-speed ferry companies with 17 boats. The company was founded in 1956 to provide school transport between and from the islands of the Sjernarøy group. Over the years, Rødne has expanded and now operates ambulance boats, scheduled traffic, charter and tourism activities from Stavanger and Bergen. Currently, the company has about 120 employees, including those who are part of the land organization in the Sjernarøy island of Kyrkjøy and in the ports of Stavanger and Bergen.

The Rødne Fjord Cruise hosts Tidal Pulse II, a site-responsive sound piece and visual voyage by Enrique Ramírez.

RØDNE FJORD CRUISE

Skagenkaien 35-37, 4006 Stavanger
58°58'19.1"N 5°43'39.5"E

Rødne is one of Norway’s largest high-speed ferry companies with 17 boats. The company was founded in 1956 to provide school transport between and from the islands of the Sjernarøy group. Over the years, Rødne has expanded and now operates ambulance boats, scheduled traffic, charter and tourism activities from Stavanger and Bergen. Currently, the company has about 120 employees, including those who are part of the land organization in the Sjernarøy island of Kyrkjøy and in the ports of Stavanger and Bergen.

The Rødne Fjord Cruise hosts Tidal Pulse II, a site-responsive sound piece and visual voyage by Enrique Ramírez.

RØDNE FJORD CRUISE

Skagenkaien 35-37, 4006 Stavanger
58°58'19.1"N 5°43'39.5"E

Rødne is one of Norway’s largest high-speed ferry companies with 17 boats. The company was founded in 1956 to provide school transport between and from the islands of the Sjernarøy group. Over the years, Rødne has expanded and now operates ambulance boats, scheduled traffic, charter and tourism activities from Stavanger and Bergen. Currently, the company has about 120 employees, including those who are part of the land organization in the Sjernarøy island of Kyrkjøy and in the ports of Stavanger and Bergen.

The Rødne Fjord Cruise hosts Tidal Pulse II, a site-responsive sound piece and visual voyage by Enrique Ramírez.

RØDNE FJORD CRUISE

Skagenkaien 35-37, 4006 Stavanger
58°58'19.1"N 5°43'39.5"E

Rødne is one of Norway’s largest high-speed ferry companies with 17 boats. The company was founded in 1956 to provide school transport between and from the islands of the Sjernarøy group. Over the years, Rødne has expanded and now operates ambulance boats, scheduled traffic, charter and tourism activities from Stavanger and Bergen. Currently, the company has about 120 employees, including those who are part of the land organization in the Sjernarøy island of Kyrkjøy and in the ports of Stavanger and Bergen.

The Rødne Fjord Cruise hosts Tidal Pulse II, a site-responsive sound piece and visual voyage by Enrique Ramírez.

RØDNE FJORD CRUISE

Skagenkaien 35-37, 4006 Stavanger
58°58'19.1"N 5°43'39.5"E

Rødne is one of Norway’s largest high-speed ferry companies with 17 boats. The company was founded in 1956 to provide school transport between and from the islands of the Sjernarøy group. Over the years, Rødne has expanded and now operates ambulance boats, scheduled traffic, charter and tourism activities from Stavanger and Bergen. Currently, the company has about 120 employees, including those who are part of the land organization in the Sjernarøy island of Kyrkjøy and in the ports of Stavanger and Bergen.

The Rødne Fjord Cruise hosts Tidal Pulse II, a site-responsive sound piece and visual voyage by Enrique Ramírez.

STAVANGER AIRPORT
Flyplassvegen 230, 4055 Sola
58°52'49.5"N 5°37'52.8"E

Stavanger Airport, Sola, is an international airport located in the municipality of Sola, southwest of Stavanger. It is Norway's third-busiest airport, with both fixed-wing aircraft and helicopter traffic for the offshore North Sea oil installations. The busiest route is Sola/Oslo Gardermoen, with about 28 daily flights. In 2018, the airport had more than 85,000 air movements and more than 4,500,000 passengers (to give a measure, the population of Stavanger is approximately 140,000 inhabitants). The airport is one of the locations hosting Tentacle Tongue, an augmented reality work by Tuomas Alexander Laitinen.

STAVANGER AIRPORT

Flyplassvegen 230, 4055 Sola
58°52'49.5"N 5°37'52.8"E

Stavanger Airport, Sola, is an international airport located in the municipality of Sola, southwest of Stavanger. It is Norway's third-busiest airport, with both fixed-wing aircraft and helicopter traffic for the offshore North Sea oil installations. The busiest route is Sola/Oslo Gardermoen, with about 28 daily flights. In 2018, the airport had more than 85,000 air movements and more than 4,500,000 passengers (to give a measure, the population of Stavanger is approximately 140,000 inhabitants). The airport is one of the locations hosting Tentacle Tongue, an augmented reality work by Tuomas Alexander Laitinen.

STAVANGER AIRPORT

Flyplassvegen 230, 4055 Sola
58°52'49.5"N 5°37'52.8"E

Stavanger Airport, Sola, is an international airport located in the municipality of Sola, southwest of Stavanger. It is Norway's third-busiest airport, with both fixed-wing aircraft and helicopter traffic for the offshore North Sea oil installations. The busiest route is Sola/Oslo Gardermoen, with about 28 daily flights. In 2018, the airport had more than 85,000 air movements and more than 4,500,000 passengers (to give a measure, the population of Stavanger is approximately 140,000 inhabitants). The airport is one of the locations hosting Tentacle Tongue, an augmented reality work by Tuomas Alexander Laitinen.

STAVANGER AIRPORT

Flyplassvegen 230, 4055 Sola
58°52'49.5"N 5°37'52.8"E

Stavanger Airport, Sola, is an international airport located in the municipality of Sola, southwest of Stavanger. It is Norway's third-busiest airport, with both fixed-wing aircraft and helicopter traffic for the offshore North Sea oil installations. The busiest route is Sola/Oslo Gardermoen, with about 28 daily flights. In 2018, the airport had more than 85,000 air movements and more than 4,500,000 passengers (to give a measure, the population of Stavanger is approximately 140,000 inhabitants). The airport is one of the locations hosting Tentacle Tongue, an augmented reality work by Tuomas Alexander Laitinen.

STAVANGER AIRPORT

Flyplassvegen 230, 4055 Sola
58°52'49.5"N 5°37'52.8"E

Stavanger Airport, Sola, is an international airport located in the municipality of Sola, southwest of Stavanger. It is Norway's third-busiest airport, with both fixed-wing aircraft and helicopter traffic for the offshore North Sea oil installations. The busiest route is Sola/Oslo Gardermoen, with about 28 daily flights. In 2018, the airport had more than 85,000 air movements and more than 4,500,000 passengers (to give a measure, the population of Stavanger is approximately 140,000 inhabitants). The airport is one of the locations hosting Tentacle Tongue, an augmented reality work by Tuomas Alexander Laitinen.

NORWEGIAN PETROLEUM MUSEUM
Kjeringholmen 1a, 4006 Stavanger
58°58'25.4"N 5°44'05.9"E

Since 1970, key individuals in the local petroleum community along with the city council aimed at constructing a museum presenting the history of the oil industry in Stavanger, a city where the headquarters of the Norwegian oil business is located. The Norwegian Petroleum Museum Foundation was established in 1981 and succeeded in fully financing the construction of the museum by 1996, with funding shared between the central government, the county council, the local authority and oil industry sponsors. Designed by Lunde & Løvseth, the museum was opened to the public in 1999.

The Norwegian Petroleum Museum was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger, a city where the headquarters of the oil business is located. The museum hosts the works by Andrew Norman Wilson and Tove Kommedal.

NORWEGIAN PETROLEUM MUSEUM

Kjeringholmen 1a, 4006 Stavanger
58°58'25.4"N 5°44'05.9"E

Since 1970, key individuals in the local petroleum community along with the city council aimed at constructing a museum presenting the history of the oil industry in Stavanger, a city where the headquarters of the Norwegian oil business is located. The Norwegian Petroleum Museum Foundation was established in 1981 and succeeded in fully financing the construction of the museum by 1996, with funding shared between the central government, the county council, the local authority and oil industry sponsors. Designed by Lunde & Løvseth, the museum was opened to the public in 1999.

The Norwegian Petroleum Museum was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger, a city where the headquarters of the oil business is located. The museum hosts the works by Andrew Norman Wilson and Tove Kommedal.

NORWEGIAN PETROLEUM MUSEUM

Kjeringholmen 1a, 4006 Stavanger
58°58'25.4"N 5°44'05.9"E

Since 1970, key individuals in the local petroleum community along with the city council aimed at constructing a museum presenting the history of the oil industry in Stavanger, a city where the headquarters of the Norwegian oil business is located. The Norwegian Petroleum Museum Foundation was established in 1981 and succeeded in fully financing the construction of the museum by 1996, with funding shared between the central government, the county council, the local authority and oil industry sponsors. Designed by Lunde & Løvseth, the museum was opened to the public in 1999.

The Norwegian Petroleum Museum was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger, a city where the headquarters of the oil business is located. The museum hosts the works by Andrew Norman Wilson and Tove Kommedal.

NORWEGIAN PETROLEUM MUSEUM

Kjeringholmen 1a, 4006 Stavanger
58°58'25.4"N 5°44'05.9"E

Since 1970, key individuals in the local petroleum community along with the city council aimed at constructing a museum presenting the history of the oil industry in Stavanger, a city where the headquarters of the Norwegian oil business is located. The Norwegian Petroleum Museum Foundation was established in 1981 and succeeded in fully financing the construction of the museum by 1996, with funding shared between the central government, the county council, the local authority and oil industry sponsors. Designed by Lunde & Løvseth, the museum was opened to the public in 1999.

The Norwegian Petroleum Museum was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger, a city where the headquarters of the oil business is located. The museum hosts the works by Andrew Norman Wilson and Tove Kommedal.

NORWEGIAN PETROLEUM MUSEUM

Kjeringholmen 1a, 4006 Stavanger
58°58'25.4"N 5°44'05.9"E

Since 1970, key individuals in the local petroleum community along with the city council aimed at constructing a museum presenting the history of the oil industry in Stavanger, a city where the headquarters of the Norwegian oil business is located. The Norwegian Petroleum Museum Foundation was established in 1981 and succeeded in fully financing the construction of the museum by 1996, with funding shared between the central government, the county council, the local authority and oil industry sponsors. Designed by Lunde & Løvseth, the museum was opened to the public in 1999.

The Norwegian Petroleum Museum was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger, a city where the headquarters of the oil business is located. The museum hosts the works by Andrew Norman Wilson and Tove Kommedal.

UTENRIKSTERMINALEN (INTERNATIONAL TERMINAL)
Strandkaien / Vågen
58°58'28.6"N 5°43'29.3"E

The International Terminal was built in 2008. For a few years it was named “The Possibility Terminal” and it functioned as a meeting place for job seekers from the Stavanger region who aimed at building professional networks. Today, it is the first stop for cruise ships visiting the region of Rogaland. According to figures from 2016, the Norwegian tourism industry accounted for 4.2% of the country’s yearly GDP, with one out of every fifteen workers in Norway employed in some aspect of the lucrative tourism industry. The International Terminal was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger and to address the consequences of mass tourism on climate breakdown. The International Terminal hosts the works by Kristina Õllek and Flatform.

UTENRIKSTERMINALEN (INTERNATIONAL TERMINAL)

Strandkaien / Vågen
58°58'28.6"N 5°43'29.3"E

The International Terminal was built in 2008. For a few years it was named “The Possibility Terminal” and it functioned as a meeting place for job seekers from the Stavanger region who aimed at building professional networks. Today, it is the first stop for cruise ships visiting the region of Rogaland. According to figures from 2016, the Norwegian tourism industry accounted for 4.2% of the country’s yearly GDP, with one out of every fifteen workers in Norway employed in some aspect of the lucrative tourism industry. The International Terminal was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger and to address the consequences of mass tourism on climate breakdown. The International Terminal hosts the works by Kristina Õllek and Flatform.

UTENRIKSTERMINALEN (INTERNATIONAL TERMINAL)

Strandkaien / Vågen
58°58'28.6"N 5°43'29.3"E

The International Terminal was built in 2008. For a few years it was named “The Possibility Terminal” and it functioned as a meeting place for job seekers from the Stavanger region who aimed at building professional networks. Today, it is the first stop for cruise ships visiting the region of Rogaland. According to figures from 2016, the Norwegian tourism industry accounted for 4.2% of the country’s yearly GDP, with one out of every fifteen workers in Norway employed in some aspect of the lucrative tourism industry. The International Terminal was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger and to address the consequences of mass tourism on climate breakdown. The International Terminal hosts the works by Kristina Õllek and Flatform.

UTENRIKSTERMINALEN (INTERNATIONAL TERMINAL)

Strandkaien / Vågen
58°58'28.6"N 5°43'29.3"E

The International Terminal was built in 2008. For a few years it was named “The Possibility Terminal” and it functioned as a meeting place for job seekers from the Stavanger region who aimed at building professional networks. Today, it is the first stop for cruise ships visiting the region of Rogaland. According to figures from 2016, the Norwegian tourism industry accounted for 4.2% of the country’s yearly GDP, with one out of every fifteen workers in Norway employed in some aspect of the lucrative tourism industry. The International Terminal was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger and to address the consequences of mass tourism on climate breakdown. The International Terminal hosts the works by Kristina Õllek and Flatform.

UTENRIKSTERMINALEN (INTERNATIONAL TERMINAL)

Strandkaien / Vågen
58°58'28.6"N 5°43'29.3"E

The International Terminal was built in 2008. For a few years it was named “The Possibility Terminal” and it functioned as a meeting place for job seekers from the Stavanger region who aimed at building professional networks. Today, it is the first stop for cruise ships visiting the region of Rogaland. According to figures from 2016, the Norwegian tourism industry accounted for 4.2% of the country’s yearly GDP, with one out of every fifteen workers in Norway employed in some aspect of the lucrative tourism industry. The International Terminal was chosen as a venue to intentionally reveal and address the ambiguities at play in Stavanger and to address the consequences of mass tourism on climate breakdown. The International Terminal hosts the works by Kristina Õllek and Flatform.

STAVANGER MUSEUM
58°57'53.4"N 5°43'59.0"E
Muségata 16, 4010 Stavanger, Norway

Stavanger Museum is a museum of natural and cultural history established in 1877. The museum's collections consist of several departments, among which the department of zoology and the department for cultural history, which also includes custodianship of the royal residence Ledaal. The museum hosts the children and youth program: the interactive virtual reality experience Inside Tumucumaque created by Interactive Media Foundation.

STAVANGER MUSEUM

Muségata 16, 4010 Stavanger
58°57'53.4"N 5°43'59.0"E

Stavanger Museum is a museum of natural and cultural history established in 1877. The museum's collections consist of several departments, among which the department of zoology and the department for cultural history, which also includes custodianship of the royal residence Ledaal. The museum hosts the children and youth program: the interactive virtual reality experience Inside Tumucumaque created by Interactive Media Foundation.

STAVANGER MUSEUM

Muségata 16, 4010 Stavanger
58°57'53.4"N 5°43'59.0"E

Stavanger Museum is a museum of natural and cultural history established in 1877. The museum's collections consist of several departments, among which the department of zoology and the department for cultural history, which also includes custodianship of the royal residence Ledaal. The museum hosts the children and youth program: the interactive virtual reality experience Inside Tumucumaque created by Interactive Media Foundation.

STAVANGER MUSEUM

Muségata 16, 4010 Stavanger
58°57'53.4"N 5°43'59.0"E

Stavanger Museum is a museum of natural and cultural history established in 1877. The museum's collections consist of several departments, among which the department of zoology and the department for cultural history, which also includes custodianship of the royal residence Ledaal. The museum hosts the children and youth program: the interactive virtual reality experience Inside Tumucumaque created by Interactive Media Foundation.

STAVANGER MUSEUM

Muségata 16, 4010 Stavanger
58°57'53.4"N 5°43'59.0"E

Stavanger Museum is a museum of natural and cultural history established in 1877. The museum's collections consist of several departments, among which the department of zoology and the department for cultural history, which also includes custodianship of the royal residence Ledaal. The museum hosts the children and youth program: the interactive virtual reality experience Inside Tumucumaque created by Interactive Media Foundation.

KUNST.TV
At Clarion Hotel Stavanger, Arne Rettedals gate 14, 4008 Stavanger
58°58'03.4"N 5°43'43.2"E

The Kunst.TV channel consists of programs of moving image art especially curated for public and semi-public spaces (including hotel lounges, airports and terminals). It is inspired by the current impact of expanded media and technologies for the exhibition and diffusion of art, and intends to occupy spaces other than the art institutions for the circulation of moving image. The channel aims at presenting works by both established and emerging artists, and curates programs tailored for this specific format.

The Kunst.TV channel and project is launched in conjunction with the Screen City Biennial 2019, in collaboration with Clarion Hotel. It presents works by Ursula Biemann, Emilija Škarnulytė, Luiz Roque and Michelle-Marie Letelier.

Kunst.TV is produced by Art Republic, Norway

KUNST.TV
At Clarion Hotel

Arne Rettedals gate 14, 4008 Stavanger
58°58'03.4"N 5°43'43.2"E

The Kunst.TV channel consists of programs of moving image art especially curated for public and semi-public spaces (including hotel lounges, airports and terminals). It is inspired by the current impact of expanded media and technologies for the exhibition and diffusion of art, and intends to occupy spaces other than the art institutions for the circulation of moving image. The channel aims at presenting works by both established and emerging artists, and curates programs tailored for this specific format.

The Kunst.TV channel and project is launched in conjunction with the Screen City Biennial 2019, in collaboration with Clarion Hotel. It presents works by Ursula Biemann, Emilija Škarnulytė, Luiz Roque and Michelle-Marie Letelier.

Kunst.TV is produced by Art Republic, Norway

KUNST.TV
At Clarion Hotel

Arne Rettedals gate 14, 4008 Stavanger
58°58'03.4"N 5°43'43.2"E

The Kunst.TV channel consists of programs of moving image art especially curated for public and semi-public spaces (including hotel lounges, airports and terminals). It is inspired by the current impact of expanded media and technologies for the exhibition and diffusion of art, and intends to occupy spaces other than the art institutions for the circulation of moving image. The channel aims at presenting works by both established and emerging artists, and curates programs tailored for this specific format.

The Kunst.TV channel and project is launched in conjunction with the Screen City Biennial 2019, in collaboration with Clarion Hotel. It presents works by Ursula Biemann, Emilija Škarnulytė, Luiz Roque and Michelle-Marie Letelier.

Kunst.TV is produced by Art Republic, Norway

KUNST.TV
At Clarion Hotel

Arne Rettedals gate 14, 4008 Stavanger
58°58'03.4"N 5°43'43.2"E

The Kunst.TV channel consists of programs of moving image art especially curated for public and semi-public spaces (including hotel lounges, airports and terminals). It is inspired by the current impact of expanded media and technologies for the exhibition and diffusion of art, and intends to occupy spaces other than the art institutions for the circulation of moving image. The channel aims at presenting works by both established and emerging artists, and curates programs tailored for this specific format.

The Kunst.TV channel and project is launched in conjunction with the Screen City Biennial 2019, in collaboration with Clarion Hotel. It presents works by Ursula Biemann, Emilija Škarnulytė, Luiz Roque and Michelle-Marie Letelier.

Kunst.TV is produced by Art Republic, Norway

KUNST.TV
At Clarion Hotel

Arne Rettedals gate 14, 4008 Stavanger
58°58'03.4"N 5°43'43.2"E

The Kunst.TV channel consists of programs of moving image art especially curated for public and semi-public spaces (including hotel lounges, airports and terminals). It is inspired by the current impact of expanded media and technologies for the exhibition and diffusion of art, and intends to occupy spaces other than the art institutions for the circulation of moving image. The channel aims at presenting works by both established and emerging artists, and curates programs tailored for this specific format.

The Kunst.TV channel and project is launched in conjunction with the Screen City Biennial 2019, in collaboration with Clarion Hotel. It presents works by Ursula Biemann, Emilija Škarnulytė, Luiz Roque and Michelle-Marie Letelier.

Kunst.TV is produced by Art Republic, Norway

CONTACT
contact @ screencitybiennial.org
 
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